Skip to main content

TRESE: The Usual Spot

February 15. Malate is as busy as the night before. The restaurants and bars are filled with couples on last minute dates, with the drunk and the lonely who hope that they might still get lucky and have a Happy Valentine’s.

Around the corner from Nakpil Street, in the back alleys where the waiters, bartenders, and delivery boys gather during their break time, stories of the strange and unusual cast of Malate are reviewed and discussed.

They often talk about the little sampaguita girl and how if you ever bother to look at her eyes, you’ll notice her reptilian, vertical pupils. If you shoo her away and don’t buy flowers from her, she’ll stick out her forked tongue and spit at you.

Someone would usually mention that man with the bouquet of roses, seen at the corner where the street lamp never works. They say, if you happen to be standing there while waiting for a jeepney or taxi, you’ll suddenly notice this man standing right beside you. You’ll notice his polo shirt is damp with blood; that he’s not holding roses, but he’s desperately trying to push his intestines back into his stomach. He’ll look at you and plead, “Take my wallet. Please don’t kill me.” You run away and if you’re brave enough to look back, the man would be gone. “Take my wallet. Please don’t kill me,” his voice would echo down the road.

Of course, they’ll also tell you about the blind beggar at the park; how if you give him exactly three pesos he will tell you the exact date and manner of your death. Supposedly, for the right price, he will tell you how to avoid your predestined demise.

On this particular night, at the back alley of the Black Rose Bar, the waiters, bartenders, and delivery boys are talking about one particular lady. They have already placed their bets on whether or not she’ll appear tonight. Tonight, the customers will be annoyed that the waiters won’t be as attentive, that some of their orders will be wrong, all because the waiters will be keeping their eyes on the door, waiting for her to finally arrive.

They never do catch her walking through the doors of the Black Rose.

Bernie the bartender is always the first one to see her. Actually, she’d be the one who’d call his attention. While wiping the bar or serving another customer, he’d suddenly feel this fingernail tap him on the shoulder. He’d smell her perfume first before he’d look and know it was her.

She’d just be there, seated on one of the bar stools in her jacket. Her jacket that had the color of dried rose petals. Or was it more like the color of dried blood?




Read the complete story at:
http://diabolical13.blogspot.com/

Comments

Popular posts from this blog

Couple of weeks ago, Ms. Diyco featured another campaign made by the creatives here at Harrison Communications. Here's her review about the Neozep "Neozerye" TV campaign: Romancing the mighty colds cure ADS AND ENDS, Nanette A Franco-Diyco BUSINESS WORLD Vol. XX, No. 139, Friday-Saturday, February 9-10, 2007 http://www.bworldonline.com/Weekender020907/main.php?id=marketing_diyco The four television commercials that serialize the life of pretty housemaid Luwalhati, culminating in a storybook wedding to her once-upon-a-time señorito from the imposing mansion belong to an ad campaign awards class all its own. There have been other spoofs of soap operas selling other brand categories in the past. But for several reasons put together, the Neozep series of commercials that began with honest-to-goodness ad teasers that looked and sounded like teasers for true-blue soap operas proved ultra entertaining and more importantly, "reinforced Neozep’s leadership and further s...

I AM A FILIPINO

I am a Filipino – inheritor of a glorious past, hostage to the uncertain future. As such, I must prove equal to a two-fold task – the task of meeting my responsibility to the past, and the task of performing my obligation to the future. I am sprung from a hardy race – child many generations removed of ancient Malayan pioneers. Across the centuries, the memory comes rushing back to me: of brown-skinned men putting out to sea in ships that were as frail as their hearts were stout. Over the sea I see them come, borne upon the billowing wave and the whistling wind, carried upon the mighty swell of hope – hope in the free abundance of the new land that was to be their home and their children’s forever. This is the land they sought and found. Every inch of shore that their eyes first set upon, every hill and mountain that beckoned to them with a green and purple invitation, every mile of rolling plain that their view encompassed, every river and lake that promised a plentiful living ...

The Mini Manifesto

LET'S BURN THE MAPS. Let's get lost. Let's turn right when we should turn left. Let's read fewer car ads and more travel ads. Let's not be back in ten minutes. Let's hold out until the next rest stop. Let's eat when hungry. Let's drink when thirsty. Let's break routines, but not make a routine of it. LET'S MOTOR.™ This is the copy for the MINI “Let’s Motor” campaign. The creatives who created this campaign said they weren’t just writing copy on how great it would be to own a Mini, they were writing a manifesto, a way of life for people who drive a Mini. I just love how the copy has rhythm, how it just flows and rolls off the tongue, how it just wants you to go out and drive and just keep driving. Makes me also wish I could write copy like that. More wonderful copy ads can be found at: http://www.libraryofmotoring.info/miniprintads.html