Wednesday, December 05, 2007

... OR ARE YOU JUST HAPPY TO SEE ME?

An excerpt from David Hontiveros’ PELICULA

INT. MEGAMALL BUILDING B – SECURITY OFFICE – A SHORT TIME LATER

LUIS CONRADO, young, handsome, ridiculously muscled up-and-coming actor, is busy stripping off the now sweat-sodden costume of Habagat, superpowered defender of the Filipino people, and heroic protagonist of Channel 8’s latest fantaserye (and highest-rated show), Habagat.

The red boots, cape[1] bracers, chest icon[2], and yellow long-sleeved tunic[3] are already off (the cape and tunic soon to be rushed off to the dry cleaners), and Luis is peeling off the black tights to reveal a shiny silver codpiece strapped to his pelvic area.[4]


[1] A superhero’s cape (for those who wear one) is the most vital accessory in the bold fashion statement that is their costume; the cape should look both regal and heroic, no matter the circumstance.

Habagat’s cape would prove to be one of the biggest pains in the collective posterior of the show’s costume design crew.

As per the design, with the cape draped over a single shoulder, that little thing called gravity would dictate that in a windless environment (such as most indoor shooting locations), the cape would hang limp like a bunched-up curtain.

In the end, the cape’s heroic “look” was achieved through a combination of two factors: 1) the use of a high-tech synthetic material which was extremely light-weight*, yet afforded the proper texture; and 2) the judicious use of CGI, to give it that extra billow and flutter during key scenes.

* The material is so light, it is affected by the fart of a mosquito as if by a Category 5 hurricane.

[2] More so than the cape, however, the metallic icon Habagat sports across his chest proved to be the most problematic costume element and was nearly nixed from the design, as the initial prop was little more than crudely carved Styrofoam with a sloppy paint job slapped over it.

Taking a design cue from the bracers though, the icon was ultimately made from hand-worked leather sheathed in a thin coating of aluminum spray-painted red, to simulate a metallic sheen.


[3] As with the cape, another high-tech synthetic fiber was used for the long-sleeved yellow tunic of the costume. PicoBalat[TM] is a cloth so thin it almost looks as if the costume has been spray-painted onto Luis’ body, thus showing off the bulk and definition the young actor works so hard to maintain, with regular gym workouts and a special diet. (Contrary to some tabloid reports, Luis has never taken steroids of any kind.)

[4] The codpiece was a rather large bone-- pun acknowledged-- of contention during the process of the Habagat costume design, its exact size and dimensions a matter of grave mathematics, resulting in a piece of precision engineering to make Swiss watchmakers blanch and consider entry-level jobs in the American fast food industry.

If it were only pneumatic and actually did what its brute size suggested it could do, Habagat’s producers would have become rich from that particular piece of merchandising.


Start reading the rest of PELICULA
by clicking this link
www.davidhontiveros.com


HABAGAT art by Carlo Vergara

Tuesday, December 04, 2007

YOU KILLED MY MASTAH! NOW I KILL YOU!

Well, that line isn’t really said in THE IMMORTAL IRON FIST: THE LAST IRON FIST STORY, but Danny Rand does say, “I know kung-fu! Hi-yaa!!!”

TIIF:TLIFS (aka the really kick-ass Iron Fist story) written by Ed Brubaker and Matt Fraction with art by David Aja (and whole lot of other artists who do the flashback scenes) was something I finally got to read it over the weekend thanks to Ian “I’ve got Neil Gaiman’s home address and you don’t” Sta. Maria.

I first got interested with this title when I heard Matt Fraction and John Siuntres talk about over at Word Balloon. Then I read rave reviews about it at the now-defunct Major Spoilers site.

I was never really a fan of Iron Fist, but I do remember buying the last POWER MAN & IRON FIST comic book where Iron Fist died (and like all Marvel characters, they just won’t stay dead. Hey! Is that Captain America I see crawling out of his grave?)

Well, that doesn’t matter. Readers who don’t know a thing about Iron Fist won’t get lost in that continuity maze. Brubaker and Fraction hit the ground running with a whole lot of martial arts action and slam you with a flashback at just the right moment for you to understand what this character is all about.

The most interesting aspect they’ve added to the character’s history are the flashbacks that reveal the men (and lady pirate) who’ve wielded the power of the Iron Fist in the past. (Almost like the concept behind The Phantom, whose power and costume was passed down from generation to generation.)

THE IMMORTAL IRON FIST is Brubaker and Fraction paying tribute to pulp heroes like The Shadow and The Phantom, as well as those fight-to-the-death martial arts movies of the 70s.

David Aja’s art brings you to the gritty back-alleys of New York the same way Alex Maleev did in his “Daredevil” run. Aja also does really great martial arts fight scenes. Last time a duel between two martial artists got me excited was the Wolverine vs. Silver Samurai by Paul Smith. Of course, Frank Miller’s Daredevil and Elektra Lives Again fight scenes are at the top of my list.

So, if you’re looking for a new title to pick up this week, try to hunt down a copy of THE IMMORTAL IRON FIST. Hi-yaaa!!!

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